Laboratorium develops projects in collaboration with artists and scientists applying the research from the color biolab project.
Colour is a physical property of the light that we are able to perceive through our eyes and transformed by our brain in form of an experience. The significance of colour is different according to the context. The colouring in science, and specifically in microscopy, it is used to visualise organic and inorganic structures, its presence or absence. However, the aesthetic result it is generally dismissed by the viewer. In this proposal materials and methods of both fields are mixed with the objective of distort the information that we are getting from the images. The support where the colour is applied are human cells and plants cells derived from Linum usitatissimu, a plant commonly used to make art canvas. And the colouring source, fluorescence pigments used for cells research and calligraphy pigments. The result is a serie of photographies where the scale is questioned by these micro-cosmic images.
This project is collaboration between the KASK-HoGent and the Center for Microbial Ecology and Technology (CMET, UGent) with the Doctor Marta Calatayud.
WASO (Write a Science Opera)
Children from 6 to 9 years old from the school De Buurt prepared a Science Opera on the topic of sustainability and biomaterials, specially mycelium. During their research they visited the lab to get inspiration for their libretto.
The final opera "Schimmelschoenen" was presented the February 22th at Wisper Ghent.
What is the duration of a seed becoming a plant? How do plants influence the choreography of an exhibition and how it similarly leads our daily gaze? What tools should a citizen gardener have? Only plants have lived long enough to listen to the city carefully, to the howl of engines, while the concrete and tires keep on discussing. The process that it takes to grow the plants is embedded in the exhibition, suggesting to head towards a future that is shaped by attentiveness and care coated by the warmth of friendship and complicity. Considering that plants have a secret opinion too, this proposal intends to unfold a sensation as part of the characteristics of space. Therefore, we start a dialogue between flowers, colours and materials which lies in various surfaces smoothed by our daily gaze.
Gintaute Skvernyte (LT) and Sina Hensel (GER)
3D printed petri dish with a fungal mountain range in collaboration with Formlab .
Neochromologism.io is an ongoing artistic website that aims to reflect about the color vocabulary that we are using in our daily life at professional and personal level by establishing connections between a color name and a meaning or experience.
The random RGB code generated for the website background is presented as hexadecimal code, a name following the rules presented above and gives also the possibility to the user of name it by creating a new color database.
This project has been developed by Laboratorium, the experimental lab for art/design and biotechnology at KASK/School of Arts Ghent, as part of the research project “The color biolab” funded by Arts Research Fund of University College Ghent in collaboration with Juan Luis Font, digital alchemy.
Algae Publication OSP
Color Biolab research, initiated by Laboratorium with OSP (Einar Andersen, Gijs de Heij & Sarah Magnan). This poster/leaflet is under Free Art License Art Libre and has been generated with a Python script.This publication has been plotted with living colors derived from the Color Biolab research project of Maria Boto Ordonez and Kristel Peters within KASK Laboratorium.
Kars & Boom collaboration
Algae print on paper and textile in collaboration to the design studio Kars en Boom in Eindhoven.
Decay, is a general name for research in collaboration with Maria Boto and Laboratorieumbio at KASK, Ghent over the behavioral characteristic of dyes in gell solution, encapsulated in specifically designed glass forms. While the transparent glass allows light and heat to interact with the dyes, the gel solution has a porous structure where dyes can further mix trough time. Following the agential intra-connection the objects are in continuous transformation and confronting the preservational static notion of dimensional art objects.
The gell medium (Gelrite), where the dyes are injected is produced by bacteria (Sphingomonas elodea) naturally found in the lily tissue. This particular gell is chosen for its clear, optical properties compared to agar. The substance is a blending medium for green Spirulina, fluorescent pink from Phycoerythrin algae, dark red to violet from cochineal bug, methyl blue tracing dye, a synthetic dietary supplement (Astaxanthin), coloring the farmed salmon, and orange carotene. Small glass tubes inside the objects hold pure samples of the dyes. Due to light and temperature in the hall, the different dyes mix, and fade-away trough time, while the gelatin changes its porous consistency.
Scultures realized by Pepa Ivanova using some pigments derived of "The color biolab" research.
Relict of a Tropical Princess
The object is a fragile artefact discovered by an extensive expedition to the remote island Lengguru, Neuguinea. The territory is characterised by an extremely high rate of endemic species. Over fifty researchers from Europe and Indonesia were involved in collecting data about the biodiversity when they found the trace of an undiscovered civilisation.
Work made by Vanessa Müller at Laboratorium
The amazing Tardigrade-Water bear by Arta Konjusha
We waited again for 10-15 min and then he slowly (really slow!!) started moving again. First with his legs and then with his head and then the body, but now it was less energetic and it looked like he was tired. His moves we’re really sleepy and he never moved as in the beginning. I continued putting high frequencies and low ones but they didn’t seem to affect him at all. Then we put Beethoven’s 31st piano sonata on and it seemed like he was dancing to it in heavy ballet movements. Afterwards a pop song from Jax Jones but that one didn’t go well with his slow movements. I think he liked classical music more (haha).
THE EFFECT OF QUININE by Geertrui de Vijlder
Quinine is an alkaloid found in the bark of the centuries as a treatment for malaria. Quinine not only gives tonic water a cinchona tree and has been used for characteristic bitter taste, but this chemical can also be very fluorescent under the right conditions. Quinine contains a substance called phosphor. When hit with a particular wavelength of the EM spectrum, including UV-light from a black light,these substances will glow. The phosphors have the ability to absorb UV-light, which makes the quinine excited. By releasing or emitting the light, quinine returns to its normal, unexcited state. In this process, it converts the invisible UV-light to a visible, brilliant blue light that we can see, even when only a relatively small amount of quinine is dissolved in the water.
When Earth was a Lover
When Earth was a Lover is an experiment based on travelling through microscopic elements of our daily life in search of poetry, cosmos, perhaps wisdom, or just a glimpse of a weightless moment, meeting in confrontation with the mind and its daily occupations. out of many short films created, three of them have been displayed here together with texts that they have triggered. the words seem to be as if thoughts floating to the seen image, though also, inevitably, uncontrolled confessions. a mind let loose. a cloud-staring. an exercise of a daydream. an insight to the nature of our surroundings that make us, invisibly. as, to relate has been a matter of education and decision-making... the perception of time, the nature of things, the place of a human, questioned by child`s observations, close to the life, unconstructed, mighty.
Work made by Weronika Zalewska at Laboratorium
Present for a Day
After the holiday the jacket started to flush for its first time. It looks fairytaily beautiful. the mushrooms started to grow and their Pink spores made beautiful patterns on the plate. Even in the small bubbles of the plastic where mushrooms growing while they where searching for air.
Work made by Hamer Kormeling at Laboratorium
Fungus cases by Jelle Vandewiele
I wanted to grow something in a cassettecase. Something with a short life spawn which represents the transcience of the medium, tape. As you play a tape, you lose quality every time you play it, rewind it. Even when you don’t use the tape it starts to decompose (this happens very slowly but you can hear the aging proces when you play the tape). I started a tape label with a friend of mine and have been working hard to develop some sort of branding. We’ve always worked with pictures for online promo (no photoshop or illustrator works). These cases will be part of our upcoming promocampagne.
Machine learning by Peter Beyls
A computer-vision environment to track, analyse, visualise and sonify the behaviour of tiny creatures in a petri dish. A machine learning algorithm to gradually optimise and influence animal behaviour using timed sounds and lights as activation.
Piezo-Electrical Crystals by Quinten de Wilde
Piezo-Electric Crystals are known Rochelle Salt. These crystals have the potential to create a piezo-electric charge. Rochelle salt is correctly called potassium sodium tartrate tetra hydrate, a double salt of tartaric acid. Together with mono potassium phosphate the first materials that exhibit piezoelectricity. This aspect states an electric charge is accumulated in response by applying mechanical stress to a solid.
SEBUM, Brenda Lou Schaub in collaboration with Moussa Cheniguel, Quentin Lamouroux and Florian Ortega
Sebum is the fat we can see if we don't wash our hair for a long time, it is natural fat we all do produce. Sebum is a typography/logo with the word sebum, two videos, a 3D model of the skin with sebum and one text on an iPad fixed on a structure which usually used is for showers.
Work made by Brenda Schaub at Laboratorium
Once photographed however, the depth of this physical object is reduced to a singular surface again. But when looking at these photos once they have been scanned and edited, a sense of imperfection rises. Apart from the fact that we cannot see a physical depth, a kind of doubt is raised when confronted with this image. Despite seeing ‘one’ image in front of us, the viewer is urged to think about the aspect of time that might have been needed to realise an image of this kind.
Work made by Thomas Vancoppenolle at Laboratorium
Although the intention was to make sort of thing like the amber, all these artistic works make me remind of the Chinese luxury jewelry. The blue-burning process (Shao lan) is based on silver, and is made of enamel-fired handicrafts. It is best known for its blue glaze and silver match. It is one of the traditional jewelry crafts in China.
DOMUM FIDELEM TARDIGRADE by Linde de Nijs
This is a work proposal of a building-kit for a tardigrade safe house. Also known as the ‘domum fidelem tardigrade’. This kit describes how to create an observation house for the microscopic- world. To collect, identify, preserve and cherish the wonderful organisms of this tiny universe, especially the strangely adorable micro-organism named ‘the tardigrade’, also know as ‘the water bear’.
Algae 3D printing by Janne Claes
Exploring biomaterials (agar and pigments) derived from microalgae for 3D-printing.
Experimental movie based on Belousov-Zhabotinsky reaction. Elias Heuninck (Formlab), María Boto (Laboratorium), 2017, 3.
Work made in collaborabation between Elias Heuninck and Laboratorium
Tierra de Diatomeas
Land of Diatoms, a project by Susana, Inés Cámara Leret and María Boto Ordóñez to investigate the relationship between human beings and Castilla and León geographic areas. This research is part of a collaboration with the Laboratory of Diatomology of the University of León, in which diatoms are used as a metaphor to create a dialogue through which to discover historical events, trace existing narratives and discuss desirable futures for the land, its waters and its people.
Due to the high sensitivity of diatoms to chemical changes in the water, these microorganisms are used to analyse ecological parameters such as the quality of the water. Thanks to the fact that diatom cells are covered by a silica wall, they are fossilizable, and through their study, it is possible to analyse agricultural cycles marked by the arrival of the Romans, the Industrial Revolution or livestock farming, for example. As a consequence of their easy dispersion they can be found in any environment, not only in places where there is or there was water. At the same time, diatoms also help to outline a map of invasions through the study of the migration, dispersal and propagation of species as a result of human activities.
Land of Diatoms has been accompanied by researcher Dr. Saúl Blanco Lanza (Diatomology Lab from the University of León) and botanist Dr. Estrella Alfaro. It is commissioned by LAB987 at MUSAC, supported by Universidad de León, represented by the Area de Actividades Culturales and Departamento de Diatomología from Facultad de Ciencias Biológicas and The University College Ghent, School of Arts KASK.
For five generations of Hofbouwers in Martha's family a lot of information and knowledge was passed on. This information has been bundled in an archive over time. She is the first person in the family who has not been brought up to take over the company, which makes her aware of the loss of tradition. This work is a reinterpretation of the existing archive and makes this knowledge susceptible to the present and future generations. Cultivation is a collected work of seeds, alias and technical terminology that forms in an installation with seeding trays, Alaam, Herbarium, Dictionary, Soil samples, etc.
Work made by Martha T'Hooft presented at Laboratorium greenhouse